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CD REVIEW: Pretty. Odd.

Panic! at the Disco • Fueled by Ramen

by Roger Gros

CD REVIEW: Pretty. Odd.

Las Vegas-based Panic! at the Disco released its second album, Pretty. Odd. last month and it immediately soared to the top of the charts.

Now, I don’t usually pay attention to the charts because most of the chart-toppers (and music consumers) have little taste. But Panic’s music has drawn me in with its intelligence. Yes, it’s a flashback to the ’60s and some of the great bands of the period; the first single, “Nine in the Afternoon,” draws liberally from classic Beatles music. But Pretty. Odd. is something completely different and an important statement in today’s music world.

Many bands with a legitimate love and respect for classic British pop music can’t take the steps that Panic has made. A group of Nashville session men calling themselves the Vinyl Kings did a few Beatles-inspired albums, but finally fell short of the passion always present in the Beatles’ music.

Panic not only brings back that passion but takes it to another level. The band’s use of horns, orchestration and multi-layered vocals recalls the ’60s but does not replicate it. Along with the music, which infuses each song with a specific feel, the lyrics are also different than most modern music. And the video for “Nine in the Afternoon” makes Panic look like the Beatles reborn, with references from the seminal British band’s Hard Days’ Night, Sgt. Pepper and Magical Mystery Tour periods.

What’s so amazing about Panic is that all its members are less than 22 years old. They didn’t grow up with this music. Their first album, A Fever You Can’t Sweat Out, was slotted by the music business into the “emo” category, as a lame, drippy, “navel-gazing” style of music. So the transition to Pretty. Odd. is strikingly dramatic, and a remarkable departure for Panic which marks them as an important band.

Like the Beatles and U2, bands that attempt changes in concept and sound are often considered daring and controversial, but if they succeed, the band becomes bigger than life. That is still to be seen with Panic, but Pretty. Odd. is a great start.

Roger Gros is publisher of Casino Connection and Global Gaming Business, a the industry’s leading gaming trade publication. Prior to joining Global Gaming Business, Gros was president of Inlet Communications, an independent consulting firm. He was vice president of Casino Journal Publishing Group from 1984-2000, and held virtually every editorial title during his tenure. Gros was editor of Casino Journal, the National Gaming Summary and the Atlantic City Insider, and was the founding editor of Casino Player magazine. He was a co-founder of the American Gaming Summit and the Southern Gaming Summit conferences and trade shows. He is the author of the best-selling book, How to Win at Casino Gambling (Carlton Books, 1995), now in its third edition. Gros was named “Businessman of the Year” for 1998 by the Greater Atlantic City Chamber of Commerce.